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theatre company Chiten
§606-8391
Kyoto-Fu Kyoto-Shi Sakyo-Ku
Shougoin-Nishimachi 1-11-105
tel/fax 075-761-4636
mail
info@chiten.org

Profile
Japanese theatre company CHITEN is presided by director Motoi MIURA. Based on various texts, CHITEN searches dynamics of language, human body, materials and sounds in order to create expressions upon the identity of theater.

Motoi MIURA was born in 1973 in the Fukuoka area. He received a degree of theater arts in Toho Gakuen University in Tokyo.

In 1996, he joined theatrical troupe Seinendan and became to be a staff of Komaba Agora Theater(Tokyo). He worked as an assistant director of Oriza Hirata for several times.

From 1999 to 2001, he is delegated to France on the Japanese Government Overseas Study Program. He worked with Frederic Fisbach to create "Tokyo Notes" and toured Quartz, Brest, Bernardo Montet, and Stanislas Nordey. Also, he studied art management and directing at Theatre Gerard Philipe of St Denis.

In 2001, he returned to Japan and formed theatrical group CHITEN with actors mainly in Seinendan Company. Since 2002, most of Chiten's works had been shown in Kyoto, and Motoi MIURA created a few pieces during his residence in Kyoto. With its surrounding and the circumstances, Kyoto is truly the best place for Chiten's creativity. In April 2005, members of Chiten moved to Kyoto as it got independent from Seinendan.

In September of 2005, Chiten won Toga Directors' Competition with its first piece in Kyoto: "The Seagull". In 2006, Chiten won the Best Scenography Award at Cairo International Festival for Experimental Theatre with Arthur Miller's "the Crucible".

Chiten Works
Jericho
by Masataka Matsuda
A woman from Poland meets a wounded soldier by an abandoned house in the desert on the only road to Jericho. Though she longs to get to there, she cannot leave the man's side and tells her story. Then, he also begins to recall their old memories as if he were her dead husband...
A drama presenting a minimum relationship, between a man and a woman, this piece reveals history and human existence.

2003.7 Kyoto Art Center, Kyoto
2005.4 Maison de la culture du Japon a Paris, Paris
2005.5 Theater Dijon Bourgogne Parvis St. Jean, Dijon *Festival Frictions

Three Sisters
by Anton Chekhov

The play takes place where the Prozorov sisters - Olga, Masha and Irina - and their brother Andrei live. Showing the process in which the beautiful dreams they had were gradually consumed by vulgar everyday life. The story is full of drama: philosophy, adultery, unrequited love, dueling and death. Characters are involved in such dramas and never know what and where they are. Chekhov considered this ridiculousness and sorrow to be comedy.

2003. 9 Theater Zero, Seoul *Seoul Fringe Festival
2003.11 Atelier Shumpusha, Tokyo
2004.5 Atelier Gekken, Kyoto
2004.11 Atelier Shumpusha, Tokyo

Jon Fosse Series:
The Name
Sleep you Little Child of Mine
A Summer's day

2004.1 Fujimi Culture Center, Fujimi
Komaba Agora Theater, Tokyo






Knives in Hens
by David Harrower

It was in a small village, in feudal times. A farmer's wife is forced by her husband to go to a miller who, rumor has it, is a murderer. The miller forces her to grab a pen and write what she has seen. From the moment she writes her name for the first time, things change dramatically.
This piece describes how a woman discovers language both emotionally and intelligently, where it comes from and its significance.

2005. 1 Atelier Shumpusha, Tokyo

The Seagull
by Anton Chekhov

Treplieff in his youth is so eager to become an innovative novelist that he is tormented on a daily basis. Nina, a young girl, dreams of fame and is eager to become an actress. Treplieff's mother Arkadina is already a successful actress and her lover, Trigorin, is a successful novelist. One summer, by the lake, complicated romantic relationships get further entangled and Treplieff is eventually left alone. The seagull, a metaphor, is shot. This story about art and destiny ends with Treplieff's suicide with a pistol.

2005.9 Toga Art Park Open Stage, Toga
*Winner of Toga Director's Competition

Chinmoku to Hikari (Silence and Light)
by Masataka Matsuda

Set on the religious island of Koebaru. One day the priest is told that his missing younger sister was involved in a failed attempt to assassinate the crown prince, and has fled from Tokyo to hide on the island. They meet again for the first time in twenty years. This play depicts this conflict and the distress of the inhabitants, and the inexplicable phenomenon overwhelming both beliefs and ideology. In such chaos, everything is left unsolved and human beings lack certainty.

2006.1 Shunjuza, Kyoto
Theater Tram, Tokyo

The Crucible
by Arthur Miller

It was in Salem town, Massachusetts, the U.S.A in the end of 17th century. Abigail Williams who had adultery with her master John Procter accuses his wife Elizabeth as a witch so that she could marry with John. Suspicion and jealousy had spread throughout the town. John proves his wife's innocence and chooses to be hanged. Depicting the individual in the conflict, this play questions what is human dignity for which man saves exchanging his life.

2006. 5 Shizuoka Performing Arts Park BOX Theater, Shizuoka
2006. 6 Kyoto Art Center, Kyoto
2006. 9 Al-Gomhoureyya Theatre, Cairo Internetional Festival for Experimental Theatre *Winner of Best Scenography Award
2006. 9 Tottori Kenmin Culture Hall Rika Theater, Tottori

Reviews
It has been a long time since Japan has had as authentic a director as Motoi Miura. Seeing his gJericho2h made me come to this conclusion.
This piece abounds in strength of direction. The piece is truly unique, and succeeds in emphasizing both text and performance, proving that theater technique is not limited to the search for reality.
Shogo Ohta (Director)

The director utilizes a particular mode of utterance, evoking sounds similar to musical scales, while ignoring the nuances of each line. Rhythms are heard above the flow of emotion, not simply used as symbolic language, rather as reconstructed text based on careful interpretations. He has chosen to mix French and Japanese, and with this diversity of language it was more harmonious than discordantc
cNo one person is free from the insolence that pits onefs ideology against that of another, as well as failure, guilt and destruction which rises up from love and hate. Even in a society which is the sum of its individuals, it is impossible to avoid. With a couple as its starting point, this piece vividly describes a sense of the fragility of human society, eroticism, violence, war and death. The performance does not rely on emotion, such that the theme is even more visible. The director deftly connects physical appearance and theatrical atmosphere. With full use of metaphor, this piece successfully shows the dynamics of the world with minimal movement.
Yoko Kuki (The Nikkei, Kansai Edition, July 14th, 2003, evening)

Facing the audience, Uchida begins to speak at great speed, no body movement whatsoever, purposefully lacking in tone, and with unnatural accentuation. Lack of proper gestures when applying ointment on another character.
cLines divorced from their meaning and emotion build as an accumulation of notes and noise. The meaning of each line is diminished, though, if these fragments are uttered in sequence, a wave of meaning surfacescWhen an absurd chain of words, each of which does not make any sense, makes a whole, it represents karma and human love. Just as each movement of the dance has no meaning; their sequence creates a particular significance. It is this surprise accomplishment which I would most like to relay to anyone who has not seen this piece. For those who have seen it, the avant-garde accomplishment and artistry of this piece must be absolutely unforgettable.
Kojin Ohta (Teatro, September 2003)
Copyright(C)2005-2007 Chiten All Right Reserved.